By using a paintbrush to manipulate the indigo bloom, as well as a wax resist, and paint marker, I was able to create small unique texture studies. For each paper, the indigo sat for different amounts of time. Some were dipped into the vat longer than others, while others were dipped into the vat more times. On some, the bubbles of the bloom remained and dried, creating texture. Since each one was dyed differently, each has a slightly different depth of color.
Continuing the process
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After completing the indigo dyed papers, I still felt inspired to do more, but this time to take the process further in order to explore other types of materials and printing techniques. I then began working with the UV flatbed printer to print onto clear acrylic sheets, experimenting with layering and transparencies. After many trial and error tests, I was able to achieve the goal of creating a more permanent piece, that still had the ability of showing transparency, as well as texture from the indigo dye process that I had been so inspired by.
This drawing shows the layering process on the acrylic piece.